Girl with a Mandolin (Fanny) by Pablo Picasso, 1910, 100.3 cm × 73.6 cm, oil on canvas, the collection of the Museum of Modern Art (MoMA) in New York

Picasso’s “Girl with a Mandolin (Fanny)” deconstructs the human figure into a series of

intersecting planes. The painting challenges the viewer to piece together the image from its

abstracted parts, reflecting the principles of Analytical Cubism.

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